Rabu, 27 April 2011
Best 16 Amazing Sand Sculptures
Minggu, 02 Mei 2010
Best 10 Of The World’s Most Impressive Subway Stations
There are some beautiful, modern, and vast rapid transit systems throughout the world. The most popular and diverse international underground transit systems are listed below, but are merely a sample of the quite eye-catching transit systems that exist throughout the world.
Stockholm Tunnelbana (Sweeden)
`Subway stations are usually designed in a clean and modernistic style in order to make people forget they are traveling deep underground. It is different in the Stockholm subway though, in which several of the deep underground stations are cut into solid rock which were left with cave-like ceilings. Oldnature meets nextnature. The fine ‘cave paintings' make the finishing touch.
Munich U-Bahn (Germany)
Munich Public Transport System (MVV) is a splendidly constructed system consisting of dozens of S-Bahn (suburbian trains), U-Bahn (subway), Tram-Bahn / Straßenbahn (streetcar) and bus lines, connecting all parts of the city perfectly. This metro system has been opened in 1972 and has spacious and clean stations. The earlier ones are rather minimalistic in design while the later ones got more interesting architectural features and some works of art.
Shanghai Bund Sightseeing Tunnel (China)
This has to be one of the most surreal, psychedlic and fun forms of public transport. The Tunnel connects East Nanjin Rd on the Bund, and Pudong near the Oriental Pearl TV Tower, running under the Huangpu river. It's a psychedelic trip in a glass capsule along the 647 metre flashing, strobing tunnel.
Moscow's Komsomolskaya Station (Russia)
The Komsomolskaya station of the Moscow Metro is the most famous of all those on the Koltsevaya Line and of the whole system, and an icon of Moscow itself, partly due to it being located on Moscow's busiest transport hub, Komsomolskaya Square, which serves three railway terminals: Leningradsky, Yaroslavsky and Kazansky. The station's connotation is of a gateway to Moscow and to the rest of Russia, and its theme is of the patriotic history and inspiring future of the nation. It was opened on 30 January, 1952, as part of the second stage of the Ring line.
Frankfurt's Bockenheimer Warte station
A weird subway entrance, looking like a train bursting through the sidewalk from below, is located in Frankfurt. Architect Zbiginiew Peter Pininski reported he felt inspired by surrealist artist René Magritte when creating it.
Metro Bilbao (Basque Country)
Bilbao, a small city in the Basque region, is proud of their subway system, not only because of its speed and efficiency, but also because of its design. Norman Foster, the architect who did the Reichtag in Berlin, the Gherkin in London, and the world's largest airport in Hong Kong, designed Bilbao's metro stations. The stations are well-lit and spacious. Foster uses a simple, yet aesthetically pleasing design, especially with the support beams, staircases, and lights. The entrances are especially unique. Nicknamed “el Fosterito,” the entrances are glass round tubes that emerge to the street level.
New York's City Hall station (US)
While the stations of the subway are now often dirty, ugly, and are marginally welcoming places, this is not always the case. New York City once had the imagination to build stations which were beautiful as well as practical. The City Hall station remains the most impressive subway station in New York, and yet it hasn't been used since 1945.
Chicago's O'Hare Station (US)
The O'Hare terminal station was built in 1984, looking toward the airport terminal from the platforms. The curved sidewalls of glass block, backlit in different colors, illuminate the platforms and absorb sound in the station. The stairs and escalators at the end of the platforms ascend through a gray metal wall that mimics an airplane fuselage to deliver passengers to the fare controls and out into the airport terminal.
Dubai Metro Stations (UAE)
The elevated and at-grade Dubai Metro stations combine both heritage and modern designs. They have been modelled on the shape of seashell, inspired from the diving and pearl-fishing heritage of the UAE, while the interior design depicts the four elements of nature – water, air, earth and fire. Conceptual design of some stations includes traditional architectural ingredients used in antique Arab buildings such as wind towers, oriels, alleyways or internal arches.
Pyongyang Metro (North Korea)
Built to link secret underground military facilities, the Pyongyang Metro is nevertheless an important part of the transport infrastructure in the capital of North Korea (officially, the Democratic People's Republic of Korea or DPRK). There is evidence that it includes secret government-only lines, although the extent of these, if they exist, is unknown. Its station architecture is among the most attractive in the world. However, relatively little is known about the Metro outside the country, as few visitors are able to investigate the system.
Minggu, 18 April 2010
The Colossus of Rhodes

From its building to its destruction lies a time span of merely 56 years. Yet the colossus earned a place in the famous list of Wonders. "But even lying on the ground, it is a marvel", said Pliny the Elder. The Colossus of Rhodes was not only a gigantic statue. It was rather a symbol of unity of the people who inhabited that beautiful Mediterranean island -- Rhodes.
Location
At the entrance of the harbor of the Mediterranean island of Rhodes in Greece.
History
Throughout most of its history, ancient Greece was comprised of city-states which had limited power beyond their boundary. On the small island of Rhodes were three of these: Ialysos, Kamiros, and Lindos. In 408 BC, the cities united to form one territory, with a unified capital, Rhodes. The city thrived commercially and had strong economic ties with their main ally, Ptolemy I Soter of Egypt. In 305 BC, the Antigonids of Macedonia who were also rivals of the Ptolemies, besieged Rhodes in an attempt to break the Rhodo-Egyptian alliance. They could never penetrate the city. When a peace agreement was reached in 304 BC, the Antagonids lifted the siege, leaving a wealth of military equipment behind. To celebrate their unity, the Rhodians sold the equipment and used the money to erect an enormous statue of their sun god, Helios.
The construction of the Colossus took 12 years and was finished in 282 BC. For years, the statue stood at the harbor entrance, until a strong earthquake hit Rhodes about 226 BC. The city was badly damaged, and the Colossus was broken at its weakest point -- the knee. The Rhodians received an immediate offer from Ptolemy III Eurgetes of Egypt to cover all restoration costs for the toppled monument. However, an oracle was consulted and forbade the re-erection. Ptolemy's offer was declined.
For almost a millennium, the statue laid broken in ruins. In AD 654, the Arabs invaded Rhodes. They disassembled the remains of the broken Colossus and sold them to a Jew from Syria. It is said that the fragments had to be transported to Syria on the backs of 900 camels.
Description
Let us first clear a misconception about the appearance of the Colossus. It has long been believed that the Colossus stood in front of the Mandraki harbor, one of many in the city of Rhodes, straddling its entrance. Given the height of the statue and the width of the harbor mouth, this picture is rather impossible than improbable. Moreover, the fallen Colossus would have blocked the harbor entrance. Recent studies suggest that it was erected either on the eastern promontory of the Mandraki harbor, or even further inland. Anyway, it did never straddle the harbor entrance.
The project was commissioned by the Rhodian sculptor Chares of Lindos. To build the statue, his workers cast the outer bronze skin parts. The base was made of white marble, and the feet and ankle of the statue were first fixed. The structure was gradually erected as the bronze form was fortified with an iron and stone framework. To reach the higher parts, an earth ramp was built around the statue and was later removed. When the colossus was finished, it stood about 33 m (110 ft) high. And when it fell, "few people can make their arms meet round the thumb", wrote Pliny.
Although we do not know the true shape and appearance of the Colossus, modern reconstructions with the statue standing upright are more accurate than older drawings. Although it disappeared from existence, the ancient World Wonder inspired modern artists such as French sculptor Auguste Bartholdi best known by his famous work: The Statue of Liberty.
The Mausoleum at Halicarnassus

Similar to the Great Pyramid, we are now visiting the burial place of an ancient king. Yet the Mausoleum is different - so different from the Pyramid that it earned its reputation - and a spot within the list - for other reasons. Geographically, it is closer to the Temple of Artemis... And it was the beauty of the tomb rather than its size that fascinated its visitors for years.
Location
In the city of Bodrum (f.k.a. Halicarnassus) on the Aegean Sea, in south-west Turkey.
History
When the Persians expanded their ancient kingdom to include Mesopotamia, Northern India, Syria, Egypt, and Asia Minor, the king could not control his vast empire without the help of local governors or rulers -- the Satraps. Like many other provinces, the kingdom of Caria in the western part of Asia Minor (Turkey) was so far from the Persian capital that it was practically autonomous. From 377 to 353 BC, king Mausollos of Caria reigned and moved his capital to Halicarnassus. Nothing is exciting about Maussollos life except the construction of his tomb. The project was conceived by his wife and sister Artemisia, and the construction might have started during the king's lifetime. The Mausoleum was completed around 350 BC, three years after Maussollos death, and one year after Artemisia's.
For 16 centuries, the Mausoleum remained in good condition until an earthquake caused some damage to the roof and colonnade. In the early fifteenth century, the Knights of St John of Malta invaded the region and built a massive crusader castle. When they decided to fortify it in 1494, they used the stones of the Mausoleum. By 1522, almost every block of the Mausoleum had been disassembled and used for construction.
Today, the massive castle still stands in Bodrum, and the polished stone and marble blocks of the Mausoleum can be spotted within the walls of the structure. Some of the sculptures survived and are today on display at the British Museum in London. These include fragment of statues and many slabs of the frieze showing the battle between the Greeks and the Amazons. At the site of the Mausoleum itself, only the foundation remains of the once magnificent Wonder.
Description
The structure was rectangular in plan, with base dimensions of about 40 m (120 ft) by 30 m (100 ft). Overlying the foundation was a stepped podium which sides were decorated with statues. The burial chamber and the sarcophagus of white alabaster decorated with gold were located on the podium and surrounded by Ionic columns. The colonnade supported a pyramid roof which was in turn decorated with statues. A statue of a chariot pulled by four horses adorned the top of the tomb.
The total height of the Mausoleum was 45 m (140 ft). This is broken down into 20 m (60 ft) for the stepped podium, 12 m (38 ft) for the colonnade, 7 m (22 ft) for the pyramid, and 6 m (20 ft) for the chariot statue at the top.
The beauty of the Mausoleum is not only in the structure itself, but in the decorations and statues that adorned the outside at different levels on the podium and the roof. These were tens of life-size as well as under and over life-size free-standing statues of people, lions, horses, and other animals. The statues were carved by four Greek sculptors: Bryaxis, Leochares, Scopas, and Timotheus, each responsible for one side. Because the statues were of people and animals, the Mausoleum holds a special place in histroy as it was not dedicated to the gods of Ancient Greece.
Since the nineteenth century, archeological excavations have been undertaken at the Mausoleum site. These excavations together with detailed descriptions by ancient historians give us a fairly good idea about the shape and appearance of the Mausoleum. A modern reconstruction of the shorter side of the Mausoleum illustrates the lavish nature of the art and architecture of the building... a building for a King whose name is celebrated in all large tombs today -- mausoleums.
The Temple of Artemis at Epheseus
Is it simply a temple? How could it take its place among other unique structures such as the Pyramid, the Hanging Gardens, and the Colossus of Rhodes? For the people who actually visited it, the answer was simple. It was not just a temple... It was the most beautiful structure on earth... It was built in honor of the Greek goddess of hunting and wild nature. That was the Temple of Artemis (Diana) at Ephesus.
Location
The ancient city of Ephesus near the modern town of Selcuk, about 50 km south of Izmir (Smyrna) in Turkey.
History
Although the foundation of the temple dates back to the seventh century BC, the structure that earned a spot in the list of Wonders was built around 550 BC. Referred to as the great marble temple, or temple D, it was sponsored by the Lydian king Croesus and was designed by the Greek architect Chersiphron. It was decorated with bronze statues sculpted by the most skilled artists of their time: Pheidias, Polycleitus, Kresilas, and Phradmon.
The temple served as both a marketplace and a religious institution. For years, the sanctuary was visited by merchants, tourists, artisans, and kings who paid homage to the goddess by sharing their profits with her. Recent archeological excavations at the site revealed gifts from pilgrims including statuettes of Artemis made of gold and ivory... earrings, bracelets, and necklaces... artifacts from as far as Persia and India.
On the night of 21 July 356 BC, a man named Herostratus burned the temple to ground in an attempt to immortalize his name. He did indeed. Strangely enough, Alexander the Great was born the same night. The Roman historian Plutarch later wrote that the goddess was "too busy taking care of the birth of Alexander to send help to her threatened temple". Over the next two decades, the temple was restored and is labeled "temple E" by archeologists. And when Alexander the Great conquered Asia Minor, he helped rebuild the destroyed temple.
When St Paul visited Ephesus to preach Christianity in the first century AD, he was confronted by the Artemis' cult who had no plans to abandon their goddess. And when the temple was again destroyed by the Goths in AD 262, the Ephesians vowed to rebuild. By the fourth century AD, most Ephesians had converted to Christianity and the temple lost its religious glamor. The final chapter came when in AD 401 the Temple of Artemis was torn down by St John Chrysostom. Ephesus was later deserted, and only in the late nineteenth century has the site been excavated. The digging revealed the temple's foundation and the road to the now swampy site. Attempts were recently made to rebuilt the temple, but only a few columns have been re-erected.
Description
The foundation of the temple was rectangular in form, similar to most temples at the time. Unlike other sanctuaries, however, the building was made of marble, with a decorated façade overlooking a spacious courtyard. Marble steps surrounding the building platform led to the high terrace which was approximately 80 m (260 ft) by 130 m (430 ft) in plan. The columns were 20 m (60 ft) high with Ionic capitals and carved circular sides. There were 127 columns in total, aligned orthogonally over the whole platform area, except for the central cella or house of the goddess.
The temple housed many works of art, including four ancient bronze statues of Amazons sculpted by the finest artists at the time. When St Paul visited the city, the temple was adorned with golden pillars and silver statuettes, and was decorated with paintings. There is no evidence that a statue of the goddess herself was placed at the center of the sanctuary, but there is no reason not to believe so.
The early detailed descriptions of the temple helped archeologists reconstruct the building. Many reconstructions such as that by H.F. von Erlach depicted the façade with a four-column porch which never existed. More accurate reconstructions may give us an idea about the general layout of the temple. However, its true beauty lies in the architectural and artistic details which will forever remain unknown.
The Statue of Zeus at Olympia
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This is the statue of the god in whose honor the Ancient Olympic games were held. It was located on the land that gave its very name to the Olympics. At the time of the games, wars stopped, and athletes came from Asia Minor, Syria, Egypt, and Sicily to celebrate the Olympics and to worship their king of gods: Zeus.
Location
At the ancient town of Olympia, on the west coast of modern Greece, about 150 km west of Athens.
History
The ancient Greek calendar starts in 776 BC, for the Olympic games are believed to have started that year. The magnificent temple of Zeus was designed by the architect Libon and was built around 450 BC. Under the growing power of ancient Greece, the simple Doric-style temple seemed too mundane, and modifications were needed. The solution: A majestic statue. The Athenian sculptor Pheidias was assigned for the "sacred" task, reminiscent of Michelangelo's paintings at the Sistine Chapel.
For the years that followed, the temple attracted visitors and worshippers from all over the world. In the second century BC repairs were skillfully made to the aging statue. In the first century AD, the Roman emperor Caligula attempted to transport the statue to Rome. However, his attempt failed when the scaffolding built by Caligula's workmen collapsed. After the Olympic games were banned in AD 391 by the emperor Theodosius I as Pagan practices, the temple of Zeus was ordered closed.
Olympia was further struck by earthquakes, landslides and floods, and the temple was damaged by fire in the fifth century AD. Earlier, the statue had been transported by wealthy Greeks to a palace in Constantinople. There, it survived until it was destroyed by a severe fire in AD 462. Today nothing remains at the site of the old temple except rocks and debris, the foundation of the buildings, and fallen columns.
Description
Pheidias began working on the statue around 440 BC. Years earlier, he had developed a technique to build enormous gold and ivory statues. This was done by erecting a wooden frame on which sheets of metal and ivory were placed to provide the outer covering. Pheidias' workshop in Olympia still exists, and is coincidentally -- or may be not -- identical in size and orientation to the temple of Zeus. There, he sculpted and carved the different pieces of the statue before they were assembled in the temple.
When the statue was completed, it barely fitted in the temple. Strabo wrote:
".. although the temple itself is very large, the sculptor is criticized for not having appreciated the correct proportions. He has shown Zeus seated, but with the head almost touching the ceiling, so that we have the impression that if Zeus moved to stand up he would unroof the temple."
Strabo was right, except that the sculptor is to be commended, not criticized. It is this size impression that made the statue so wonderful. It is the idea that the king of gods is capable of unroofing the temple if he stood up that fascinated poets and historians alike. The base of the statue was about 6.5 m (20 ft) wide and 1.0 meter (3 ft) high. The height of the statue itself was 13 m (40 ft), equivalent to a modern 4-story building.
The statue was so high that visitors described the throne more than Zeus body and features. The legs of the throne were decorated with sphinxes and winged figures of Victory. Greek gods and mythical figures also adorned the scene: Apollo, Artemis, and Niobe's children. The Greek Pausanias wrote:
On his head is a sculpted wreath of olive sprays. In his right hand he holds a figure of Victory made from ivory and gold... In his left hand, he holds a sceptre inlaid with every kind of metal, with an eagle perched on the sceptre. His sandals are made of gold, as is his robe. His garments are carved with animals and with lilies. The throne is decorated with gold, precious stones, ebony, and ivory.
The statue was occasionally decorated with gifts from kings and rulers. the most notable of these gifts was a woollen curtain "adorned with Assyrian woven patterns and Pheonician dye" which was dedicated by the Syrian king Antiochus IV.
Copies of the statue were made, including a large prototype at Cyrene (Libya). None of them, however, survived to the present day. Early reconstructions such as the one by von Erlach are now believed to be rather inaccurate. For us, we can only wonder about the true appearance of the statue -- the greatest work in Greek sculpture.
The Hanging Gardens of Babylon
Fruits and flowers... Waterfalls... Gardens hanging from the palace terraces... Exotic animals... This is the picture of the Hanging Gardens of Babylon in most people's minds. It may be surprising to know that they might have never existed except in Greek poets and historians imagination!
Location
On the east bank of the River Euphrates, about 50 km south of Baghdad, Iraq.
History
The Babylonian kingdom flourished under the rule of the famous King, Hammurabi (1792-1750 BC). It was not until the reign of Naboplashar (625-605 BC) of the Neo-Babylonian dynasty that the Mesopotamian civilization reached its ultimate glory. His son, Nebuchadnezzar II (604-562 BC) is credited for building the legendary Hanging Gardens. It is said that the Gardens were built by Nebuchadnezzar to please his wife or concubine who had been "brought up in Media and had a passion for mountain surroundings".
While the most descriptive accounts of the Gardens come from Greek historians such as Berossus and Diodorus Siculus, Babylonian records stay silent on the matter. Tablets from the time of Nebuchadnezzar do not have a single reference to the Hanging Gardens, although descriptions of his palace, the city of Babylon, and the walls are found. Even the historians who give detailed descriptions of the Hanging Gardens never saw them. Modern historians argue that when Alexander's soldiers reached the fertile land of Mesopotamia and saw Babylon, they were impressed. When they later returned to their rugged homeland, they had stories to tell about the amazing gardens and palm trees at Mesopotamia.. About the palace of Nebuchadnezzar.. About the Tower of Babel and the ziggurats. And it was the imagination of poets and ancient historians that blended all these elements together to produce one of the World Wonders.
It wasn't until the twentieth century that some of the mysteries surrounding the Hanging Gardens were revealed. Archaeologists are still struggling to gather enough evidence before reaching the final conclusions about the location of the Gardens, their irrigation system, and their true appearance.
Description
Detailed descriptions of the Gardens come from ancient Greek sources, including the writings of Strabo and Philo of Byzantium. Here are some excerpts from their accounts:
"The Garden is quadrangular, and each side is four plethra long. It consists of arched vaults which are located on checkered cube-like foundations.. The ascent of the uppermost terrace-roofs is made by a stairway..."
"The Hanging Garden has plants cultivated above ground level, and the roots of the trees are embedded in an upper terrace rather than in the earth. The whole mass is supported on stone columns... Streams of water emerging from elevated sources flow down sloping channels... These waters irrigate the whole garden saturating the roots of plants and keeping the whole area moist. Hence the grass is permanently green and the leaves of trees grow firmly attached to supple branches... This is a work of art of royal luxury and its most striking feature is that the labor of cultivation is suspended above the heads of the spectators".
More recent archaeological excavations at the ancient city of Babylon in Iraq uncovered the foundation of the palace. Other findings include the Vaulted Building with thick walls and an irrigation well near the southern palace. A group of archaeologists surveyed the area of the southern palace and reconstructed the Vaulted Building as the Hanging Gardens. However, the Greek historian Strabo had stated that the gardens were situated by the River Euphrates. So others argue that the site is too far from the Euphrates to support the theory since the Vaulted Building is several hundreds of meters away. They reconstructed the site of the palace and located the Gardens in the area stretching from the River to the Palace. On the river banks, recently discovered massive walls 25 m thick may have been stepped to form terraces... the ones described in Greek references.
Jumat, 09 April 2010
WTC Twin Towers 2 built by 2013




Taipei 101 Tower in Taipei,




Top 5 Tallest Structures in the World
With the number of people living on earth growing exponential (6 billion in the last 100 years), there’s no room for cities to expand on the ground, especially in the big overcrowded areas, and that’s why architects are planning many ways of expanding through the air. No, we’re not talking about flying cities, just about structures that are getting higher and higher everyday.
1.Burj Dubai
The Burj Dubai is projected to be the world’s highest land structure built on land by the end of this decade. With its construction started in 2004, the building is expected to be finished in 2009, when it will rise to a estimated height of 818 m (2,684 ft) (although some sources announce numbers up to 1011 m).
Built in the “New Downtown” of Dubai, the structure was designed by the famous ”Skidmode, Owings and Merril” company, also in charge of the Sears Tower in Chicago and Freedom Tower in New York. Having more than 160 floors, the tower will house 30.000 accommodations (situated between floors 37 an 108, these apartments were sold in just 8 minutes from the moment the prices were posted) and a vast number of hotels, shopping centers and entertainment areas. A massive park will surround the tower, and the estimated investment in Burj Dubai will be over 8 billion dollars.
2.Kvly-tv mast:
“Kvly-tv mast”, height record holder 1963-1974 and 1991-2008, standing in Blanchard, Traill County, North Dakota, USA with the height of 628.8m (2063 ft). This tallest TV transmission tower is owned by Hoak Media, is located 3 miles of Blanchard, half way b/w Fargo and Grands Forks. Its construction was completed on 13 August, 1963.It took thirty days to complete and costs US $500,000.It is still the tallest structure on the earth.
3.Warsaw Radio Mast:
Poland’s “Warsaw Radio Mast” until it collapsed on 8 august 1991 which is mast radiator insulated against ground in nature. It is situated in Konstantynow, gabin.It was completed on 18 may, 1974. There are hundreds of arguments but its weight is 420 tones by Polish sources. The height of this mast is 646.38m (2,121ft).
4.Cn Tower:
“Cn tower” in Toronto, Ontario, Canada standing with the height of 553.33m (1,815.4ft).This observation and telecommunication tower was constructed in 1973–1976. It remained the tallest free-standing structure in the Americas, the signature icon of Toronto’s skyline, and a symbol of Canada, attracting more than two million international visitors annually. It was build to serve for Observation, UHF/VHF-transmission.
5.Taipei 101:
Breaking the record of CN Tower, “Taipei 101”, located in Taipei, Taiwan with height of 509.2m (1,671 ft) exists on fifth tallest structure in the world. An exciting thing is that it is the first skyscraper to exceed 500 meters in structural height. Its purpose is to serve for communication, conference, library, observation, office, restaurant, and retail and fitness center. It construction costs USD $1.76 billion. The building contains 101 floors above ground and 5 floors underground. Taipei 101 is owned by the Taipei Financial Center Corporation and managed by the International division of Urban Retail Properties Corporation based in Chicago.
Stadiums for World Cup Soccer 2010 South Africa

We have to wait one year more, ahhh… its pretty long time. What if, I show you the stadiums which are gonna use for the world cup 2010.
They are amazing!!! Just scroll down and have a look.
1.New Senzangakhona stadium, Durban
Sitting capacity - 70000
2.The Nelson Mandela Bay Stadium
Sitting capacity - 49500
3.Soccer City, Johannesburg
Sitting capacity - 94,700
4.Free State Stadium, Bloemfontein
Sitting capacity - 40000
5.Mbombela Stadium, Nelspruit
Sitting capacity - 40000 +
6.Peter Mokaba Stadium, Polokwane
Sitting capacity - 40000
7.Royal Bafokeng Sports Palace, Rustenburg
Sitting capacity - 40000 +
8.Loftus Versfeld stadium, Pretoria
Sitting capacity – 50000
9.Stadium at Cape Town
Sitting capacity – 70000
10.Ellis Park, Johannesburg
Sitting capacity - 60,000